{"id":44,"date":"2022-11-08T22:00:56","date_gmt":"2022-11-08T22:00:56","guid":{"rendered":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/chapter\/song-of-songs\/"},"modified":"2023-01-26T23:29:22","modified_gmt":"2023-01-26T23:29:22","slug":"song-of-songs","status":"publish","type":"chapter","link":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/chapter\/song-of-songs\/","title":{"raw":"Song of Songs","rendered":"Song of Songs"},"content":{"raw":"<div class=\"song-of-songs\">\r\n<div class=\"textbox textbox--learning-objectives\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">In this chapter you will<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n<ul>\r\n \t<li>encounter settings in different styles of words from the Bible\u2019s book of romantic poetry, the Song of Songs (sometimes called the Song of Solomon)<\/li>\r\n \t<li>explore whether musical settings of parts of the Song of Songs help you engage with its celebration of erotic love<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\nPicking up a theme introduced in chapter 13 on Ruth, the most promising text in the Bible for exploration in romantic terms is the Song of Songs (also called the Canticle of Canticles or the Song of Solomon). Yet there is a long <a href=\"https:\/\/www.newadvent.org\/cathen\/03302a.htm\" target=\"_blank\" rel=\"noopener\">history<\/a> of turning that text into an allegory about the love between God and Israel or Christ and the church. It thus turns out that the Bible\u2019s erotic poetry gets used in worship, while texts with fewer elements of romance and sexual desire have been turned into operas with those elements. There are, however, exceptions, and here is an example of <a href=\"http:\/\/www.hebrewsongs.com\/song-dodili.htm\" target=\"_blank\" rel=\"noopener\">words from Song of Songs<\/a> being turned into a <a href=\"https:\/\/www.bethsnotesplus.com\/2020\/02\/dodi-li.html\" target=\"_blank\" rel=\"noopener\">folk song in Israel<\/a>. The song, <em>Dodi li<\/em> (My beloved is mine), became popular much farther afield (as indicated by this performance by Rika Zarai in France in 1960).[footnote]Zarai also sang a song in French with the title \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=OMLzLsU-BZ4\" target=\"_blank\" rel=\"noopener\">Exodus<\/a>,\u201d which was from the soundtrack of a film by the same name. The movie focused not on the exodus described in the Bible but on the founding of the modern state of Israel.[\/footnote]\r\n\r\n[embed]https:\/\/www.youtube.com\/watch?v=zSBgzPAX0zY[\/embed]\r\n<p class=\"import-p\" style=\"text-indent: 36pt;\">Also, <a href=\"https:\/\/www.lieder.net\/lieder\/get_text.html?TextId=53205\" target=\"_blank\" rel=\"noopener\">Percy Grainger composed \u201cLove Verses from the Song of Songs.\u201d<\/a>[footnote]Monteverdi Orchestra and Choir, conducted by John Eliot Gardiner. Provided to YouTube by Universal Music Group.[\/footnote]<\/p>\r\n[embed]https:\/\/www.youtube.com\/watch?v=GzhOVLOFsPM[\/embed]\r\n<p class=\"import-p\" style=\"text-indent: 36pt;\">The title of Romanian composer Lauren\u0163iu Ganea\u2019s setting, \u201c<a href=\"https:\/\/soundcloud.com\/user-546571376\/cantarea-cantarilor-shir-ha-shirim-la-templul-coral-live?utm_source=clipboard&amp;utm_medium=text&amp;utm_campaign=social_sharing\" target=\"_blank\" rel=\"noopener\">Shir HaShirim\u2014C\u00e2ntarea C\u00e2nt\u0103rilor<\/a>,\u201d is in both Hebrew and Romanian, but the text is only the Hebrew.[footnote]Ganea has also composed <a href=\"https:\/\/soundcloud.com\/user-546571376\/oglinda-si-teodicee-pentru-pian-si-orchestra?si=e16fe125079f4ca08a4b5b7ac442e289&amp;utm_source=clipboard&amp;utm_medium=text&amp;utm_campaign=social_sharing\" target=\"_blank\" rel=\"noopener\">a trilogy about Job\u2019s sufferings<\/a>.[\/footnote] You may also enjoy listening to the musical explorations of parts of the Song of Songs by <a href=\"https:\/\/www.youtube.com\/watch?v=5hh7xbmgDnE\" target=\"_blank\" rel=\"noopener\">Yehezkel<\/a> <a href=\"https:\/\/www.youtube.com\/watch?v=P7svzKCt6KI\" target=\"_blank\" rel=\"noopener\">Braun<\/a>, <a href=\"https:\/\/www.milkenarchive.org\/music\/volumes\/view\/symphonic-visions\/work\/song-of-songs\/\" target=\"_blank\" rel=\"noopener\">Lukas Foss<\/a>, and others. Here are two by <a href=\"https:\/\/marclavry.org\/\" target=\"_blank\" rel=\"noopener\">Marc Lavry<\/a> in Hebrew, provided to YouTube by the Marc Lavry Heritage Society.<\/p>\r\n[embed]https:\/\/www.youtube.com\/watch?v=8biYhxrPjDE[\/embed]\r\n\r\n[embed]https:\/\/www.youtube.com\/watch?v=1PGOmoJJtY4[\/embed]\r\n<p class=\"import-p\" style=\"text-indent: 36pt;\"><a href=\"https:\/\/www.youtube.com\/watch?v=fYFsChYx64c\" target=\"_blank\" rel=\"noopener\">Alexander Knaifel\u2019s<\/a> <em><a href=\"https:\/\/www.youtube.com\/watch?v=4yGfhfJUJ0k\" target=\"_blank\" rel=\"noopener\">Make Me Drunk with Your Kisses<\/a><\/em> sets up an expectation of romantic expression that the music may be perceived by listeners as conveying.<\/p>\r\n<p class=\"import-p\" style=\"text-indent: 36pt;\">When a work has a Latin title like <em><a href=\"https:\/\/www.youtube.com\/watch?v=DbKPBZwjX0c\" target=\"_blank\" rel=\"noopener\">Flos Campi<\/a><\/em>, it can be easy to miss that <a href=\"https:\/\/www.cpdl.org\/wiki\/index.php\/Ego_flos_campi\" target=\"_blank\" rel=\"noopener\">the Song of Songs is its source<\/a>. However, even when works have English titles, some listeners may not recognize the source of the words. Take, for instance, \u201cArise My Love\u201d by Stephen Paulus (performed here by the Northwest Tower Choir).<\/p>\r\n[embed]https:\/\/www.youtube.com\/watch?v=hHsXVONaB3s[\/embed]\r\n<p class=\"import-p\" style=\"text-indent: 36pt;\">Some settings of \u201cSet Me as a Seal\u201d include that by Nico Muhly.[footnote]Shared to YouTube by Hal Leonard Choral.[\/footnote]<\/p>\r\n[embed]https:\/\/www.youtube.com\/watch?v=eBWiA9KP9dU[\/embed]\r\n<p class=\"import-p\" style=\"text-indent: 36pt;\">Here is another setting of \u201cSet Me as a Seal,\u201d this one by William Walton, performed by the choir of St. John\u2019s College Cambridge.[footnote]Licensed to YouTube by Naxos.[\/footnote]<\/p>\r\n[embed]https:\/\/www.youtube.com\/watch?v=CMfOyrrWYds[\/embed]\r\n<p class=\"import-p\" style=\"text-indent: 36pt;\"><a href=\"https:\/\/www.youtube.com\/watch?v=IrBcbq0SByY\" target=\"_blank\" rel=\"noopener\">Ryan Malone has set the entire book to music<\/a>. <a href=\"https:\/\/www.youtube.com\/watch?v=YTevyhclv6I\" target=\"_blank\" rel=\"noopener\">Emmanuel Chabrier\u2019s<\/a> <a href=\"https:\/\/www.youtube.com\/watch?v=YTevyhclv6I\" target=\"_blank\" rel=\"noopener\"><em>La Sulamite<\/em><\/a> is a setting of poetry <a href=\"https:\/\/imslp.org\/wiki\/La_sulamite_(Chabrier,_Emmanuel)\" target=\"_blank\" rel=\"noopener\">based on the Song of Songs<\/a> (the <a href=\"https:\/\/www.themorgan.org\/music\/manuscript\/114323\" target=\"_blank\" rel=\"noopener\">Morgan Library and Museum has the composer\u2019s original manuscript digitized<\/a>). <a href=\"https:\/\/www.youtube.com\/watch?v=owAkE4GLH4w\" target=\"_blank\" rel=\"noopener\">Kate Bush\u2019s \u201cSong of Solomon\u201d<\/a> refers to the work in the title but bears little direct connection with the biblical text. Sin\u00e9ad O\u2019Connor\u2019s \u201cDark I Am Yet Lovely,\u201d on the other hand, is a setting of biblical text. It features prominently in this <a href=\"https:\/\/www.youtube.com\/watch?v=YP-aUiSF60Q\" target=\"_blank\" rel=\"noopener\">interview about her album<\/a> <a href=\"https:\/\/www.youtube.com\/watch?v=YP-aUiSF60Q\" target=\"_blank\" rel=\"noopener\"><em>Theology<\/em><\/a>, on which the song appears.<\/p>\r\n\r\n<div>\r\n<div class=\"textbox textbox--key-takeaways\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\"><span style=\"text-align: initial; font-size: 1em;\">For Further Reading<\/span><\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n<p class=\"import-sbul hanging-indent\" style=\"margin-left: 0pt; margin-right: 36pt;\">Matter, E. Ann. <span style=\"border: none windowtext 0pt; padding: 0;\"><em class=\"import-i\">The Voice of My Beloved: The Song of Songs in Western Medieval Christianity<\/em><\/span>. Philadelphia: University of Pennsylvania Press, 1992.<\/p>\r\n<p class=\"import-sbul hanging-indent\" style=\"margin-left: 0pt; margin-right: 36pt;\">Sofer, Danielle. \u201cThe Macropolitics of Microsound: Gender and Sexual Identities in Barry Truax\u2019s Song of Songs.\u201d <span style=\"border: none windowtext 0pt; padding: 0;\"><em class=\"import-i\">Organised Sound<\/em><\/span> 23, no. 1 (2018): 80\u201390.<\/p>\r\n\r\n<\/div>\r\n<\/div>\r\n&nbsp;\r\n\r\n<\/div>\r\n<div><\/div>\r\n<\/div>","rendered":"<div class=\"song-of-songs\">\n<div class=\"textbox textbox--learning-objectives\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">In this chapter you will<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<ul>\n<li>encounter settings in different styles of words from the Bible\u2019s book of romantic poetry, the Song of Songs (sometimes called the Song of Solomon)<\/li>\n<li>explore whether musical settings of parts of the Song of Songs help you engage with its celebration of erotic love<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p>Picking up a theme introduced in chapter 13 on Ruth, the most promising text in the Bible for exploration in romantic terms is the Song of Songs (also called the Canticle of Canticles or the Song of Solomon). Yet there is a long <a href=\"https:\/\/www.newadvent.org\/cathen\/03302a.htm\" target=\"_blank\" rel=\"noopener\">history<\/a> of turning that text into an allegory about the love between God and Israel or Christ and the church. It thus turns out that the Bible\u2019s erotic poetry gets used in worship, while texts with fewer elements of romance and sexual desire have been turned into operas with those elements. There are, however, exceptions, and here is an example of <a href=\"http:\/\/www.hebrewsongs.com\/song-dodili.htm\" target=\"_blank\" rel=\"noopener\">words from Song of Songs<\/a> being turned into a <a href=\"https:\/\/www.bethsnotesplus.com\/2020\/02\/dodi-li.html\" target=\"_blank\" rel=\"noopener\">folk song in Israel<\/a>. The song, <em>Dodi li<\/em> (My beloved is mine), became popular much farther afield (as indicated by this performance by Rika Zarai in France in 1960).<a class=\"footnote\" title=\"Zarai also sang a song in French with the title \u201cExodus,\u201d which was from the soundtrack of a film by the same name. The movie focused not on the exodus described in the Bible but on the founding of the modern state of Israel.\" id=\"return-footnote-44-1\" href=\"#footnote-44-1\" aria-label=\"Footnote 1\"><sup class=\"footnote\">[1]<\/sup><\/a><\/p>\n<p><iframe id=\"oembed-1\" title=\"Rika Zarai - Dodi li (1960)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/zSBgzPAX0zY?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"import-p\" style=\"text-indent: 36pt;\">Also, <a href=\"https:\/\/www.lieder.net\/lieder\/get_text.html?TextId=53205\" target=\"_blank\" rel=\"noopener\">Percy Grainger composed \u201cLove Verses from the Song of Songs.\u201d<\/a><a class=\"footnote\" title=\"Monteverdi Orchestra and Choir, conducted by John Eliot Gardiner. Provided to YouTube by Universal Music Group.\" id=\"return-footnote-44-2\" href=\"#footnote-44-2\" aria-label=\"Footnote 2\"><sup class=\"footnote\">[2]<\/sup><\/a><\/p>\n<p><iframe id=\"oembed-2\" title=\"Grainger: Love Verses from the Song of Solomon\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/GzhOVLOFsPM?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"import-p\" style=\"text-indent: 36pt;\">The title of Romanian composer Lauren\u0163iu Ganea\u2019s setting, \u201c<a href=\"https:\/\/soundcloud.com\/user-546571376\/cantarea-cantarilor-shir-ha-shirim-la-templul-coral-live?utm_source=clipboard&amp;utm_medium=text&amp;utm_campaign=social_sharing\" target=\"_blank\" rel=\"noopener\">Shir HaShirim\u2014C\u00e2ntarea C\u00e2nt\u0103rilor<\/a>,\u201d is in both Hebrew and Romanian, but the text is only the Hebrew.<a class=\"footnote\" title=\"Ganea has also composed a trilogy about Job\u2019s sufferings.\" id=\"return-footnote-44-3\" href=\"#footnote-44-3\" aria-label=\"Footnote 3\"><sup class=\"footnote\">[3]<\/sup><\/a> You may also enjoy listening to the musical explorations of parts of the Song of Songs by <a href=\"https:\/\/www.youtube.com\/watch?v=5hh7xbmgDnE\" target=\"_blank\" rel=\"noopener\">Yehezkel<\/a> <a href=\"https:\/\/www.youtube.com\/watch?v=P7svzKCt6KI\" target=\"_blank\" rel=\"noopener\">Braun<\/a>, <a href=\"https:\/\/www.milkenarchive.org\/music\/volumes\/view\/symphonic-visions\/work\/song-of-songs\/\" target=\"_blank\" rel=\"noopener\">Lukas Foss<\/a>, and others. Here are two by <a href=\"https:\/\/marclavry.org\/\" target=\"_blank\" rel=\"noopener\">Marc Lavry<\/a> in Hebrew, provided to YouTube by the Marc Lavry Heritage Society.<\/p>\n<p><iframe id=\"oembed-3\" title=\"Tsror Hamor (A Sachet of Myrrh) - Marc Lavry  \u05e6\u05e8\u05d5\u05e8 \u05d4\u05de\u05d5\u05e8 - \u05de\u05e8\u05e7 \u05dc\u05d1\u05e8\u05d9\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/8biYhxrPjDE?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><iframe id=\"oembed-4\" title=\"Shechora Ani (I am Black) - Marc Lavry  \u05e9\u05d7\u05d5\u05e8\u05d4 \u05d0\u05e0\u05d9  - \u05de\u05e8\u05e7 \u05dc\u05d1\u05e8\u05d9\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/1PGOmoJJtY4?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"import-p\" style=\"text-indent: 36pt;\"><a href=\"https:\/\/www.youtube.com\/watch?v=fYFsChYx64c\" target=\"_blank\" rel=\"noopener\">Alexander Knaifel\u2019s<\/a> <em><a href=\"https:\/\/www.youtube.com\/watch?v=4yGfhfJUJ0k\" target=\"_blank\" rel=\"noopener\">Make Me Drunk with Your Kisses<\/a><\/em> sets up an expectation of romantic expression that the music may be perceived by listeners as conveying.<\/p>\n<p class=\"import-p\" style=\"text-indent: 36pt;\">When a work has a Latin title like <em><a href=\"https:\/\/www.youtube.com\/watch?v=DbKPBZwjX0c\" target=\"_blank\" rel=\"noopener\">Flos Campi<\/a><\/em>, it can be easy to miss that <a href=\"https:\/\/www.cpdl.org\/wiki\/index.php\/Ego_flos_campi\" target=\"_blank\" rel=\"noopener\">the Song of Songs is its source<\/a>. However, even when works have English titles, some listeners may not recognize the source of the words. Take, for instance, \u201cArise My Love\u201d by Stephen Paulus (performed here by the Northwest Tower Choir).<\/p>\n<p><iframe id=\"oembed-5\" title=\"Stephen Paulus - Arise My Love\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/hHsXVONaB3s?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"import-p\" style=\"text-indent: 36pt;\">Some settings of \u201cSet Me as a Seal\u201d include that by Nico Muhly.<a class=\"footnote\" title=\"Shared to YouTube by Hal Leonard Choral.\" id=\"return-footnote-44-4\" href=\"#footnote-44-4\" aria-label=\"Footnote 4\"><sup class=\"footnote\">[4]<\/sup><\/a><\/p>\n<p><iframe id=\"oembed-6\" title=\"Set Me As A Seal (SATB Choir) - By Nico Muhly\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/eBWiA9KP9dU?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"import-p\" style=\"text-indent: 36pt;\">Here is another setting of \u201cSet Me as a Seal,\u201d this one by William Walton, performed by the choir of St. John\u2019s College Cambridge.<a class=\"footnote\" title=\"Licensed to YouTube by Naxos.\" id=\"return-footnote-44-5\" href=\"#footnote-44-5\" aria-label=\"Footnote 5\"><sup class=\"footnote\">[5]<\/sup><\/a><\/p>\n<p><iframe id=\"oembed-7\" title=\"Set Me As A Seal (William Walton) - St. John&#39;s College Cambridge\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/CMfOyrrWYds?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"import-p\" style=\"text-indent: 36pt;\"><a href=\"https:\/\/www.youtube.com\/watch?v=IrBcbq0SByY\" target=\"_blank\" rel=\"noopener\">Ryan Malone has set the entire book to music<\/a>. <a href=\"https:\/\/www.youtube.com\/watch?v=YTevyhclv6I\" target=\"_blank\" rel=\"noopener\">Emmanuel Chabrier\u2019s<\/a> <a href=\"https:\/\/www.youtube.com\/watch?v=YTevyhclv6I\" target=\"_blank\" rel=\"noopener\"><em>La Sulamite<\/em><\/a> is a setting of poetry <a href=\"https:\/\/imslp.org\/wiki\/La_sulamite_(Chabrier,_Emmanuel)\" target=\"_blank\" rel=\"noopener\">based on the Song of Songs<\/a> (the <a href=\"https:\/\/www.themorgan.org\/music\/manuscript\/114323\" target=\"_blank\" rel=\"noopener\">Morgan Library and Museum has the composer\u2019s original manuscript digitized<\/a>). <a href=\"https:\/\/www.youtube.com\/watch?v=owAkE4GLH4w\" target=\"_blank\" rel=\"noopener\">Kate Bush\u2019s \u201cSong of Solomon\u201d<\/a> refers to the work in the title but bears little direct connection with the biblical text. Sin\u00e9ad O\u2019Connor\u2019s \u201cDark I Am Yet Lovely,\u201d on the other hand, is a setting of biblical text. It features prominently in this <a href=\"https:\/\/www.youtube.com\/watch?v=YP-aUiSF60Q\" target=\"_blank\" rel=\"noopener\">interview about her album<\/a> <a href=\"https:\/\/www.youtube.com\/watch?v=YP-aUiSF60Q\" target=\"_blank\" rel=\"noopener\"><em>Theology<\/em><\/a>, on which the song appears.<\/p>\n<div>\n<div class=\"textbox textbox--key-takeaways\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\"><span style=\"text-align: initial; font-size: 1em;\">For Further Reading<\/span><\/p>\n<\/header>\n<div class=\"textbox__content\">\n<p class=\"import-sbul hanging-indent\" style=\"margin-left: 0pt; margin-right: 36pt;\">Matter, E. Ann. <span style=\"border: none windowtext 0pt; padding: 0;\"><em class=\"import-i\">The Voice of My Beloved: The Song of Songs in Western Medieval Christianity<\/em><\/span>. Philadelphia: University of Pennsylvania Press, 1992.<\/p>\n<p class=\"import-sbul hanging-indent\" style=\"margin-left: 0pt; margin-right: 36pt;\">Sofer, Danielle. \u201cThe Macropolitics of Microsound: Gender and Sexual Identities in Barry Truax\u2019s Song of Songs.\u201d <span style=\"border: none windowtext 0pt; padding: 0;\"><em class=\"import-i\">Organised Sound<\/em><\/span> 23, no. 1 (2018): 80\u201390.<\/p>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<div><\/div>\n<\/div>\n<hr class=\"before-footnotes clear\" \/><div class=\"footnotes\"><ol><li id=\"footnote-44-1\">Zarai also sang a song in French with the title \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=OMLzLsU-BZ4\" target=\"_blank\" rel=\"noopener\">Exodus<\/a>,\u201d which was from the soundtrack of a film by the same name. The movie focused not on the exodus described in the Bible but on the founding of the modern state of Israel. <a href=\"#return-footnote-44-1\" class=\"return-footnote\" aria-label=\"Return to footnote 1\">&crarr;<\/a><\/li><li id=\"footnote-44-2\">Monteverdi Orchestra and Choir, conducted by John Eliot Gardiner. Provided to YouTube by Universal Music Group. <a href=\"#return-footnote-44-2\" class=\"return-footnote\" aria-label=\"Return to footnote 2\">&crarr;<\/a><\/li><li id=\"footnote-44-3\">Ganea has also composed <a href=\"https:\/\/soundcloud.com\/user-546571376\/oglinda-si-teodicee-pentru-pian-si-orchestra?si=e16fe125079f4ca08a4b5b7ac442e289&amp;utm_source=clipboard&amp;utm_medium=text&amp;utm_campaign=social_sharing\" target=\"_blank\" rel=\"noopener\">a trilogy about Job\u2019s sufferings<\/a>. <a href=\"#return-footnote-44-3\" class=\"return-footnote\" aria-label=\"Return to footnote 3\">&crarr;<\/a><\/li><li id=\"footnote-44-4\">Shared to YouTube by Hal Leonard Choral. <a href=\"#return-footnote-44-4\" class=\"return-footnote\" aria-label=\"Return to footnote 4\">&crarr;<\/a><\/li><li id=\"footnote-44-5\">Licensed to YouTube by Naxos. <a href=\"#return-footnote-44-5\" class=\"return-footnote\" aria-label=\"Return to footnote 5\">&crarr;<\/a><\/li><\/ol><\/div>","protected":false},"author":3,"menu_order":8,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"part":110,"_links":{"self":[{"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/chapters\/44"}],"collection":[{"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":16,"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/chapters\/44\/revisions"}],"predecessor-version":[{"id":914,"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/chapters\/44\/revisions\/914"}],"part":[{"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/parts\/110"}],"metadata":[{"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/chapters\/44\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/wp\/v2\/media?parent=44"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/chapter-type?post=44"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/wp\/v2\/contributor?post=44"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/wp\/v2\/license?post=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}