{"id":40,"date":"2022-11-08T22:00:56","date_gmt":"2022-11-08T22:00:56","guid":{"rendered":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/chapter\/exodus\/"},"modified":"2024-07-25T00:48:25","modified_gmt":"2024-07-25T00:48:25","slug":"exodus","status":"publish","type":"chapter","link":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/chapter\/exodus\/","title":{"raw":"Exodus","rendered":"Exodus"},"content":{"raw":"<div class=\"exodus\">\r\n<div class=\"textbox textbox--learning-objectives\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">In this chapter you will<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n<ul>\r\n \t<li>encounter side by side some settings of a text the musical treatments of which have been mentioned separately in thematic chapters of this book<\/li>\r\n \t<li>discover how the cinematic depiction of the exodus inspired a famous heavy metal song<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\nThe exodus comes up in a number of chapters in this book, as do many other texts. The chapter divisions allow us to explore the intersection of the Bible and music through a focus on texts, composers, genres, and other things. Each grouping inevitably separates some things from others. We will not repeat the discussion of Miriam\u2019s musical response to the exodus in the first chapter of this book, nor our exploration of exodus themes in spirituals, nor Schoenberg\u2019s treatment. Centuries-old and recent cinematic treatments of the story appear in chapter 27 on musicals and oratorios. Yet even so, there are many other musical explorations of the exodus story. Here is R. Nathaniel Dett\u2019s <em>The Ordering of Moses<\/em>.[footnote]This 1968 recording of Dett\u2019s 1937 work <em>The Ordering of Moses<\/em>, performed by Jeanette Walters, soprano; Carol Brice, contralto; John Miles, tenor; and John Work, baritone with the Talladega College Choir is directed by Frank Harrison and the Mobile Symphony Orchestra, conducted by William Levi Dawson.[\/footnote]\r\n\r\n[embed]https:\/\/www.youtube.com\/watch?v=2y3nKJt6FHg[\/embed]\r\n<p class=\"import-p\" style=\"text-indent: 36pt;\">There is also <a href=\"https:\/\/www.youtube.com\/watch?v=BLREkfkiG7A\" target=\"_blank\" rel=\"noopener\">Elmer Bernstein\u2019s film score for<\/a> <a href=\"https:\/\/www.youtube.com\/watch?v=BLREkfkiG7A\" target=\"_blank\" rel=\"noopener\"><em>The Ten Commandments<\/em><\/a>. Here is a suite of music from the film courtesy of the Makris Symphony Orchestra, conducted by Predrag Gosta (who shared this 2021 performance on the orchestra\u2019s YouTube channel).<\/p>\r\n[embed]https:\/\/www.youtube.com\/watch?v=WSYqiKXsRf4[\/embed]\r\n<p class=\"import-p\" style=\"text-indent: 36pt;\">One of the famous songs by the band Metallica, \u201cCreeping Death,\u201d was inspired not just by the exodus story in general but specifically by the depiction of the angel of death in the movie <em>The Ten Commandments<\/em>. This video conveys this very well by using scenes from the movie to accompany the song.[footnote]Uploaded to the Savage Mister YouTube channel. Audio licensed to YouTube by Tangible Medium Recordings (on behalf of EMV) et al.[\/footnote]<\/p>\r\n[embed]https:\/\/www.youtube.com\/watch?v=z5lXEFdZAmU[\/embed]\r\n<p class=\"import-p\" style=\"text-indent: 36pt;\">For a very different film score treatment, have a listen to <a href=\"https:\/\/www.youtube.com\/watch?v=KAlChnQnrdM\" target=\"_blank\" rel=\"noopener\">Ennio Morricone\u2019s music for the 1974 film<\/a> <a href=\"https:\/\/www.youtube.com\/watch?v=KAlChnQnrdM\" target=\"_blank\" rel=\"noopener\"><em>Moses the Lawgiver<\/em><\/a>. The story receives operatic treatment in <a href=\"https:\/\/imslp.org\/wiki\/Mos\u00e8_in_Egitto_(Rossini,_Gioacchino)\" target=\"_blank\" rel=\"noopener\">Gioachino Rossini\u2019s<\/a> <em><a href=\"https:\/\/imslp.org\/wiki\/Mos\u00e8_in_Egitto_(Rossini,_Gioacchino)\" target=\"_blank\" rel=\"noopener\">Mos\u00e8 in Egitto<\/a><\/em>, which premiered in 1818. The religious subject matter allowed the composer to <a href=\"https:\/\/d-scholarship.pitt.edu\/32860\/1\/sholdjm_pittetd2017_2.pdf\" target=\"_blank\" rel=\"noopener\">circumvent a ban<\/a> on opera during <a href=\"https:\/\/www.usccb.org\/prayer-worship\/liturgical-year\/lent\" target=\"_blank\" rel=\"noopener\">Lent<\/a>, when his new work would be performed.[footnote]Christian V\u00e1squez here conducts Rossini\u2019s <em>Mos\u00e8 in Egitto<\/em> in this performance by the Simon Bolivar Symphony Orchestra and Simon Bolivar Choir of Venezuela. The recording was uploaded by Christian V\u00e1squez to his own YouTube channel.[\/footnote]<\/p>\r\n[embed]https:\/\/www.youtube.com\/watch?v=_WbF2lXgaEI[\/embed]\r\n<p class=\"import-p\" style=\"text-indent: 36pt;\">Carl Philipp Emanuel Bach composed the oratorio <a href=\"https:\/\/imslp.org\/wiki\/Die_Israeliten_in_der_W\u00fcste,_H.775_(Bach,_Carl_Philipp_Emanuel)\" target=\"_blank\" rel=\"noopener\">\u201cDie Israeliten in der W\u00fcste\u201d<\/a> (The Israelites in the Desert).[footnote]C. P. E. Bach\u2019s \u201cDie Israeliten in der W\u00fcste,\u201d performed by the Harvard University Choir, Harvard Baroque Chamber Orchestra, and Grand Harmonie, conducted by Edward Elwyn Jones and featuring Amanda Forsythe and Jessica Petrus, sopranos; Jonas Budris, tenor; and David McFerrin, baritone, was recorded in 2014 at Harvard Memorial Church and uploaded by them to the church\u2019s YouTube channel.[\/footnote]<\/p>\r\n[embed]https:\/\/www.youtube.com\/watch?v=3ygaVLztAcA[\/embed]\r\n<p class=\"import-p\" style=\"text-indent: 36pt;\"><a href=\"https:\/\/www.milkenarchive.org\/articles\/view\/passover-music-for-the-favorite-family-ritual\/\" target=\"_blank\" rel=\"noopener\">The ongoing celebration of the exodus<\/a> during the <a href=\"https:\/\/www.jewishvirtuallibrary.org\/passover-history-and-overview\" target=\"_blank\" rel=\"noopener\">Passover holiday<\/a> has in turn inspired a great deal of <a href=\"https:\/\/www.milkenarchive.org\/articles\/view\/passover-music-for-the-favorite-family-ritual\/\" target=\"_blank\" rel=\"noopener\">additional music<\/a>. Events and legends related to national origins gave rise to music that gave rise to biblical narratives that gave rise to annual celebrations that gave rise to music\u2014and on and on it goes!<\/p>\r\n\r\n<div class=\"textbox textbox--key-takeaways\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">For Further Reading<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n<p class=\"import-sbul hanging-indent\" style=\"margin-left: 0pt; margin-right: 36pt;\">Callahan, Allen Dwight. <span style=\"border: none windowtext 0pt; padding: 0;\"><em class=\"import-i\">The Talking Book: African Americans and the Bible<\/em><\/span>. New Haven, CT: Yale University Press, 2006. Accessed September 26, 2022. <a href=\"http:\/\/www.jstor.org\/stable\/j.ctt1npzb4\" target=\"_blank\" rel=\"noopener\"><span style=\"border: none windowtext 0pt; padding: 0;\"><span class=\"import-url\">http:\/\/www.jstor.org\/stable\/j.ctt1npzb4<\/span><\/span><\/a>.<\/p>\r\n<p class=\"import-sbul hanging-indent\" style=\"margin-left: 0pt; margin-right: 36pt;\">Corbett, George, ed. <span style=\"border: none windowtext 0pt; padding: 0;\"><em class=\"import-i\">Annunciations: Sacred Music for the Twenty-First Century<\/em><\/span>. Cambridge: Open Book, 2019.<\/p>\r\n<p class=\"import-sbul hanging-indent\" style=\"margin-left: 0pt; margin-right: 36pt;\">National Endowment for the Arts and Chorus America. <span style=\"border: none windowtext 0pt; padding: 0;\"><em class=\"import-i\">American Masterpieces: Choral Music<\/em><\/span>. National Endowment for the Arts and Chorus America, 2006. <a href=\"https:\/\/purl.fdlp.gov\/GPO\/LPS76484\" target=\"_blank\" rel=\"noopener\"><span style=\"border: none windowtext 0pt; padding: 0;\"><span class=\"import-url\">https:\/\/purl.fdlp.gov\/GPO\/LPS76484<\/span><\/span><\/a>.<\/p>\r\n<p class=\"import-sbul hanging-indent\" style=\"margin-left: 0pt; margin-right: 36pt;\">Simpson, Anne Key. <span style=\"border: none windowtext 0pt; padding: 0;\"><em class=\"import-i\">Follow Me: The Life and Music of R. Nathaniel Dett<\/em><\/span>. Metuchen, NJ: Scarecrow Press, 1993.<\/p>\r\n\r\n<\/div>\r\n<\/div>\r\n&nbsp;\r\n<div><\/div>\r\n<\/div>","rendered":"<div class=\"exodus\">\n<div class=\"textbox textbox--learning-objectives\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">In this chapter you will<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<ul>\n<li>encounter side by side some settings of a text the musical treatments of which have been mentioned separately in thematic chapters of this book<\/li>\n<li>discover how the cinematic depiction of the exodus inspired a famous heavy metal song<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p>The exodus comes up in a number of chapters in this book, as do many other texts. The chapter divisions allow us to explore the intersection of the Bible and music through a focus on texts, composers, genres, and other things. Each grouping inevitably separates some things from others. We will not repeat the discussion of Miriam\u2019s musical response to the exodus in the first chapter of this book, nor our exploration of exodus themes in spirituals, nor Schoenberg\u2019s treatment. Centuries-old and recent cinematic treatments of the story appear in chapter 27 on musicals and oratorios. Yet even so, there are many other musical explorations of the exodus story. Here is R. Nathaniel Dett\u2019s <em>The Ordering of Moses<\/em>.<a class=\"footnote\" title=\"This 1968 recording of Dett\u2019s 1937 work The Ordering of Moses, performed by Jeanette Walters, soprano; Carol Brice, contralto; John Miles, tenor; and John Work, baritone with the Talladega College Choir is directed by Frank Harrison and the Mobile Symphony Orchestra, conducted by William Levi Dawson.\" id=\"return-footnote-40-1\" href=\"#footnote-40-1\" aria-label=\"Footnote 1\"><sup class=\"footnote\">[1]<\/sup><\/a><\/p>\n<p><iframe id=\"oembed-1\" title=\"R  Nathaniel Dett: The Ordering of Moses (1937)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/2y3nKJt6FHg?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"import-p\" style=\"text-indent: 36pt;\">There is also <a href=\"https:\/\/www.youtube.com\/watch?v=BLREkfkiG7A\" target=\"_blank\" rel=\"noopener\">Elmer Bernstein\u2019s film score for<\/a> <a href=\"https:\/\/www.youtube.com\/watch?v=BLREkfkiG7A\" target=\"_blank\" rel=\"noopener\"><em>The Ten Commandments<\/em><\/a>. Here is a suite of music from the film courtesy of the Makris Symphony Orchestra, conducted by Predrag Gosta (who shared this 2021 performance on the orchestra\u2019s YouTube channel).<\/p>\n<p><iframe id=\"oembed-2\" title=\"Elmer Bernstein: Suite from &quot;The Ten Commandments&quot; (4K) - Makris Symphony Orchestra, Predrag Gosta\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/WSYqiKXsRf4?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"import-p\" style=\"text-indent: 36pt;\">One of the famous songs by the band Metallica, \u201cCreeping Death,\u201d was inspired not just by the exodus story in general but specifically by the depiction of the angel of death in the movie <em>The Ten Commandments<\/em>. This video conveys this very well by using scenes from the movie to accompany the song.<a class=\"footnote\" title=\"Uploaded to the Savage Mister YouTube channel. Audio licensed to YouTube by Tangible Medium Recordings (on behalf of EMV) et al.\" id=\"return-footnote-40-2\" href=\"#footnote-40-2\" aria-label=\"Footnote 2\"><sup class=\"footnote\">[2]<\/sup><\/a><\/p>\n<p><iframe id=\"oembed-3\" title=\"Metallica - Creeping Death\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/z5lXEFdZAmU?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"import-p\" style=\"text-indent: 36pt;\">For a very different film score treatment, have a listen to <a href=\"https:\/\/www.youtube.com\/watch?v=KAlChnQnrdM\" target=\"_blank\" rel=\"noopener\">Ennio Morricone\u2019s music for the 1974 film<\/a> <a href=\"https:\/\/www.youtube.com\/watch?v=KAlChnQnrdM\" target=\"_blank\" rel=\"noopener\"><em>Moses the Lawgiver<\/em><\/a>. The story receives operatic treatment in <a href=\"https:\/\/imslp.org\/wiki\/Mos\u00e8_in_Egitto_(Rossini,_Gioacchino)\" target=\"_blank\" rel=\"noopener\">Gioachino Rossini\u2019s<\/a> <em><a href=\"https:\/\/imslp.org\/wiki\/Mos\u00e8_in_Egitto_(Rossini,_Gioacchino)\" target=\"_blank\" rel=\"noopener\">Mos\u00e8 in Egitto<\/a><\/em>, which premiered in 1818. The religious subject matter allowed the composer to <a href=\"https:\/\/d-scholarship.pitt.edu\/32860\/1\/sholdjm_pittetd2017_2.pdf\" target=\"_blank\" rel=\"noopener\">circumvent a ban<\/a> on opera during <a href=\"https:\/\/www.usccb.org\/prayer-worship\/liturgical-year\/lent\" target=\"_blank\" rel=\"noopener\">Lent<\/a>, when his new work would be performed.<a class=\"footnote\" title=\"Christian V\u00e1squez here conducts Rossini\u2019s Mos\u00e8 in Egitto in this performance by the Simon Bolivar Symphony Orchestra and Simon Bolivar Choir of Venezuela. The recording was uploaded by Christian V\u00e1squez to his own YouTube channel.\" id=\"return-footnote-40-3\" href=\"#footnote-40-3\" aria-label=\"Footnote 3\"><sup class=\"footnote\">[3]<\/sup><\/a><\/p>\n<p><iframe id=\"oembed-4\" title=\"Gioachino Rossini: Opera Mos\u00e8 in Egitto\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/_WbF2lXgaEI?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"import-p\" style=\"text-indent: 36pt;\">Carl Philipp Emanuel Bach composed the oratorio <a href=\"https:\/\/imslp.org\/wiki\/Die_Israeliten_in_der_W\u00fcste,_H.775_(Bach,_Carl_Philipp_Emanuel)\" target=\"_blank\" rel=\"noopener\">\u201cDie Israeliten in der W\u00fcste\u201d<\/a> (The Israelites in the Desert).<a class=\"footnote\" title=\"C. P. E. Bach\u2019s \u201cDie Israeliten in der W\u00fcste,\u201d performed by the Harvard University Choir, Harvard Baroque Chamber Orchestra, and Grand Harmonie, conducted by Edward Elwyn Jones and featuring Amanda Forsythe and Jessica Petrus, sopranos; Jonas Budris, tenor; and David McFerrin, baritone, was recorded in 2014 at Harvard Memorial Church and uploaded by them to the church\u2019s YouTube channel.\" id=\"return-footnote-40-4\" href=\"#footnote-40-4\" aria-label=\"Footnote 4\"><sup class=\"footnote\">[4]<\/sup><\/a><\/p>\n<p><iframe id=\"oembed-5\" title=\"Carl Philipp Emanuel Bach\u00a0(1714 \u2013 1788): Die Israeliten in der W\u00fcste, full concert (2014)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/3ygaVLztAcA?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"import-p\" style=\"text-indent: 36pt;\"><a href=\"https:\/\/www.milkenarchive.org\/articles\/view\/passover-music-for-the-favorite-family-ritual\/\" target=\"_blank\" rel=\"noopener\">The ongoing celebration of the exodus<\/a> during the <a href=\"https:\/\/www.jewishvirtuallibrary.org\/passover-history-and-overview\" target=\"_blank\" rel=\"noopener\">Passover holiday<\/a> has in turn inspired a great deal of <a href=\"https:\/\/www.milkenarchive.org\/articles\/view\/passover-music-for-the-favorite-family-ritual\/\" target=\"_blank\" rel=\"noopener\">additional music<\/a>. Events and legends related to national origins gave rise to music that gave rise to biblical narratives that gave rise to annual celebrations that gave rise to music\u2014and on and on it goes!<\/p>\n<div class=\"textbox textbox--key-takeaways\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">For Further Reading<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<p class=\"import-sbul hanging-indent\" style=\"margin-left: 0pt; margin-right: 36pt;\">Callahan, Allen Dwight. <span style=\"border: none windowtext 0pt; padding: 0;\"><em class=\"import-i\">The Talking Book: African Americans and the Bible<\/em><\/span>. New Haven, CT: Yale University Press, 2006. Accessed September 26, 2022. <a href=\"http:\/\/www.jstor.org\/stable\/j.ctt1npzb4\" target=\"_blank\" rel=\"noopener\"><span style=\"border: none windowtext 0pt; padding: 0;\"><span class=\"import-url\">http:\/\/www.jstor.org\/stable\/j.ctt1npzb4<\/span><\/span><\/a>.<\/p>\n<p class=\"import-sbul hanging-indent\" style=\"margin-left: 0pt; margin-right: 36pt;\">Corbett, George, ed. <span style=\"border: none windowtext 0pt; padding: 0;\"><em class=\"import-i\">Annunciations: Sacred Music for the Twenty-First Century<\/em><\/span>. Cambridge: Open Book, 2019.<\/p>\n<p class=\"import-sbul hanging-indent\" style=\"margin-left: 0pt; margin-right: 36pt;\">National Endowment for the Arts and Chorus America. <span style=\"border: none windowtext 0pt; padding: 0;\"><em class=\"import-i\">American Masterpieces: Choral Music<\/em><\/span>. National Endowment for the Arts and Chorus America, 2006. <a href=\"https:\/\/purl.fdlp.gov\/GPO\/LPS76484\" target=\"_blank\" rel=\"noopener\"><span style=\"border: none windowtext 0pt; padding: 0;\"><span class=\"import-url\">https:\/\/purl.fdlp.gov\/GPO\/LPS76484<\/span><\/span><\/a>.<\/p>\n<p class=\"import-sbul hanging-indent\" style=\"margin-left: 0pt; margin-right: 36pt;\">Simpson, Anne Key. <span style=\"border: none windowtext 0pt; padding: 0;\"><em class=\"import-i\">Follow Me: The Life and Music of R. Nathaniel Dett<\/em><\/span>. Metuchen, NJ: Scarecrow Press, 1993.<\/p>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div><\/div>\n<\/div>\n<hr class=\"before-footnotes clear\" \/><div class=\"footnotes\"><ol><li id=\"footnote-40-1\">This 1968 recording of Dett\u2019s 1937 work <em>The Ordering of Moses<\/em>, performed by Jeanette Walters, soprano; Carol Brice, contralto; John Miles, tenor; and John Work, baritone with the Talladega College Choir is directed by Frank Harrison and the Mobile Symphony Orchestra, conducted by William Levi Dawson. <a href=\"#return-footnote-40-1\" class=\"return-footnote\" aria-label=\"Return to footnote 1\">&crarr;<\/a><\/li><li id=\"footnote-40-2\">Uploaded to the Savage Mister YouTube channel. Audio licensed to YouTube by Tangible Medium Recordings (on behalf of EMV) et al. <a href=\"#return-footnote-40-2\" class=\"return-footnote\" aria-label=\"Return to footnote 2\">&crarr;<\/a><\/li><li id=\"footnote-40-3\">Christian V\u00e1squez here conducts Rossini\u2019s <em>Mos\u00e8 in Egitto<\/em> in this performance by the Simon Bolivar Symphony Orchestra and Simon Bolivar Choir of Venezuela. The recording was uploaded by Christian V\u00e1squez to his own YouTube channel. <a href=\"#return-footnote-40-3\" class=\"return-footnote\" aria-label=\"Return to footnote 3\">&crarr;<\/a><\/li><li id=\"footnote-40-4\">C. P. E. Bach\u2019s \u201cDie Israeliten in der W\u00fcste,\u201d performed by the Harvard University Choir, Harvard Baroque Chamber Orchestra, and Grand Harmonie, conducted by Edward Elwyn Jones and featuring Amanda Forsythe and Jessica Petrus, sopranos; Jonas Budris, tenor; and David McFerrin, baritone, was recorded in 2014 at Harvard Memorial Church and uploaded by them to the church\u2019s YouTube channel. <a href=\"#return-footnote-40-4\" class=\"return-footnote\" aria-label=\"Return to footnote 4\">&crarr;<\/a><\/li><\/ol><\/div>","protected":false},"author":3,"menu_order":4,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"part":110,"_links":{"self":[{"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/chapters\/40"}],"collection":[{"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":14,"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/chapters\/40\/revisions"}],"predecessor-version":[{"id":985,"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/chapters\/40\/revisions\/985"}],"part":[{"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/parts\/110"}],"metadata":[{"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/chapters\/40\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/wp\/v2\/media?parent=40"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/pressbooks\/v2\/chapter-type?post=40"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/wp\/v2\/contributor?post=40"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.palni.org\/thebibleandmusic\/wp-json\/wp\/v2\/license?post=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}