{"id":327,"date":"2020-08-12T11:23:12","date_gmt":"2020-08-12T11:23:12","guid":{"rendered":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/?post_type=chapter&#038;p=327"},"modified":"2023-08-10T18:42:15","modified_gmt":"2023-08-10T18:42:15","slug":"recommended-equipment","status":"publish","type":"chapter","link":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/chapter\/recommended-equipment\/","title":{"raw":"Recommended Equipment","rendered":"Recommended Equipment"},"content":{"raw":"The following lists are by no means complete, and exclusion from these lists does not imply an inferior instrument. Rather, these are recommendations collected from expert brass players based on their own experiences, meant to guide the music educator in advising their students. These recommendations are intended for beginning through pre-collegiate students.\r\n\r\nIn addition to new instruments which are listed below, used instruments made by Bach, Bundy, Conn, Getzen, Holton, King, and Yamaha have a long history of quality and durability.\r\n<h1>Trumpet<\/h1>\r\n<h4>Bb Trumpets<\/h4>\r\n<p class=\"indent no-indent\"><span style=\"text-decoration: underline\">Beginner:<\/span><\/p>\r\n<p class=\"indent\">Bach 300 series<\/p>\r\n<p class=\"indent\">Yamaha YTR 2335<\/p>\r\n<p class=\"indent no-indent\"><span style=\"text-decoration: underline\">Intermediate:<\/span><\/p>\r\n<p class=\"indent\">Bach Stradivarius<\/p>\r\n<p class=\"indent\">Yamaha 6000\/7000 series<\/p>\r\n\r\n<h4>Mouthpieces<\/h4>\r\n<p class=\"indent no-indent\"><span style=\"text-decoration: underline\">Beginner: <\/span><\/p>\r\n<p class=\"indent\">Bach 5C, 7C<\/p>\r\n<p class=\"indent\">Yamaha 16C4<\/p>\r\n<p class=\"indent no-indent\"><span style=\"text-decoration: underline\">Intermediate\/Advanced:<\/span><\/p>\r\n<p class=\"indent\"><strong>Bach 3C<\/strong><\/p>\r\n<p class=\"indent\">Schilke 11, 12<\/p>\r\n<p class=\"indent\">Yamaha 11C4, 15<\/p>\r\nRecommended brands: Bach, Monette, Karl Hammond, Shilke, Yamaha\r\n<h4><em>Mutes<\/em><\/h4>\r\nDenis Wick, EZ Bucket, Harmon, Hirschman, Humes &amp; Berg, Jo-Ral, Mutec, ProTec Aluminum, Warburton, Zinger\r\n\r\n&nbsp;\r\n<h1>Horn<\/h1>\r\n<h4>F Double Horns (ideally, start beginners on double horns)<\/h4>\r\n<p class=\"indent\">Conn 8D, 10D<\/p>\r\n<p class=\"indent\">Holton Farkas 179, 180, 181<\/p>\r\n<p class=\"indent\">Yamaha YHR 567, 667, 668<\/p>\r\n\r\n<h4>Mouthpieces<\/h4>\r\n<p class=\"indent\">Conn 5N, 5W, 7N, 7W<\/p>\r\n<p class=\"indent\"><strong>Holton Farkas MDC, DC<\/strong><\/p>\r\n<p class=\"indent\">Yamaha 30C4, 31D4<\/p>\r\n\r\n<h4>Mutes<\/h4>\r\n<p class=\"indent\">Denis Wick<\/p>\r\n<p class=\"indent\">Humes &amp; Berg<\/p>\r\n<p class=\"indent\">Tom Crown<\/p>\r\n\r\n<h1>Trombone<\/h1>\r\n<h4>Tenor Trombones<\/h4>\r\n<p class=\"indent no-indent\"><span style=\"text-decoration: underline\">Beginner<\/span><\/p>\r\n<p class=\"indent\">Bach 200<\/p>\r\n<p class=\"indent\">Bundy 1523<\/p>\r\n<p class=\"indent\">Conn<\/p>\r\n<p class=\"indent\">Yamaha YSL-354\r\n<span style=\"text-decoration: underline\">Intermediate\/Advanced<\/span><\/p>\r\n<p class=\"indent\">Bach 42B, 36B<\/p>\r\n<p class=\"indent\">Conn 78H, 88H<\/p>\r\n<p class=\"indent\">Yamaha YSL-684, YSL-820 (Xeno)<\/p>\r\n\r\n<h4>Bass Trombones<\/h4>\r\n<p class=\"indent\">Bach 50B<\/p>\r\n<p class=\"indent\">Conn 110H<\/p>\r\n<p class=\"indent\">Yamaha YBL-613, YBL-622<\/p>\r\n\r\n<h4>Mouthpieces<\/h4>\r\n<span style=\"text-decoration: underline\">Beginner<\/span>\r\n<p class=\"indent\">Bach 12C<\/p>\r\n<p class=\"indent\">Schilke 47<\/p>\r\n<span style=\"text-decoration: underline\">Intermediate\/Advanced<\/span>\r\n<p class=\"indent\">Bach 6 1\/2AL, 5G<\/p>\r\n<p class=\"indent\">Schilke 50, 51<\/p>\r\n<span style=\"text-decoration: underline\">Bass Trombone<\/span>\r\n<p class=\"indent\">Bach 1G<\/p>\r\n<p class=\"indent\">Schilke 57<\/p>\r\n\r\n<h1>Euphonium<\/h1>\r\n<h4>4-Valve Euphoniums<\/h4>\r\n<p class=\"indent\">Willson 2704<\/p>\r\n<p class=\"indent\">Yamaha YEP-321, YEP-621<\/p>\r\n\r\n<h4>Compensating Euphoniums<\/h4>\r\n<p class=\"indent\">Besson 967, 968<\/p>\r\n<p class=\"indent\">Hirsbrunner<\/p>\r\n<p class=\"indent\">Willson 2901<\/p>\r\n<p class=\"indent\">Yamaha YEP-641<\/p>\r\n\r\n<h4>Mouthpieces<\/h4>\r\n<p class=\"indent\">Bach 6 1\/2 AL<\/p>\r\n<p class=\"indent\">Denis Wick 5AL, 6AL<\/p>\r\n<p class=\"indent\">Shilke 50, 51<\/p>\r\n\r\n<h1>Tuba<\/h1>\r\n<h4>BBb Tubas<\/h4>\r\n<p class=\"indent\">Besson 997<\/p>\r\n<p class=\"indent\">Conn 5J<\/p>\r\n<p class=\"indent\">Meinl-Weston 20 (rotary)<\/p>\r\n<p class=\"indent\">Miraphone 1864U (rotary)<\/p>\r\n<p class=\"indent\">Yamaha YBB-301<\/p>\r\n\r\n<h4>Mouthpieces<\/h4>\r\n<p class=\"indent\">Bach 18<\/p>\r\n<p class=\"indent\">Conn 18<\/p>\r\n<p class=\"indent\"><strong>Conn-Helleberg 1205<\/strong><\/p>\r\n<p class=\"indent\">Yamaha 18<\/p>\r\n&nbsp;\r\n<h1>Mutes<\/h1>\r\n<p class=\"indent\">Tom Crown<\/p>\r\n<p class=\"indent\">Vincent Bach<\/p>\r\n<p class=\"indent\">Denis Wick<\/p>\r\n<p class=\"indent\">Humes &amp; Berg<\/p>\r\n<p class=\"indent\">Harmon<\/p>\r\n<p class=\"indent\">Jo-Ral<\/p>\r\n&nbsp;","rendered":"<p>The following lists are by no means complete, and exclusion from these lists does not imply an inferior instrument. Rather, these are recommendations collected from expert brass players based on their own experiences, meant to guide the music educator in advising their students. These recommendations are intended for beginning through pre-collegiate students.<\/p>\n<p>In addition to new instruments which are listed below, used instruments made by Bach, Bundy, Conn, Getzen, Holton, King, and Yamaha have a long history of quality and durability.<\/p>\n<h1>Trumpet<\/h1>\n<h4>Bb Trumpets<\/h4>\n<p class=\"indent no-indent\"><span style=\"text-decoration: underline\">Beginner:<\/span><\/p>\n<p class=\"indent\">Bach 300 series<\/p>\n<p class=\"indent\">Yamaha YTR 2335<\/p>\n<p class=\"indent no-indent\"><span style=\"text-decoration: underline\">Intermediate:<\/span><\/p>\n<p class=\"indent\">Bach Stradivarius<\/p>\n<p class=\"indent\">Yamaha 6000\/7000 series<\/p>\n<h4>Mouthpieces<\/h4>\n<p class=\"indent no-indent\"><span style=\"text-decoration: underline\">Beginner: <\/span><\/p>\n<p class=\"indent\">Bach 5C, 7C<\/p>\n<p class=\"indent\">Yamaha 16C4<\/p>\n<p class=\"indent no-indent\"><span style=\"text-decoration: underline\">Intermediate\/Advanced:<\/span><\/p>\n<p class=\"indent\"><strong>Bach 3C<\/strong><\/p>\n<p class=\"indent\">Schilke 11, 12<\/p>\n<p class=\"indent\">Yamaha 11C4, 15<\/p>\n<p>Recommended brands: Bach, Monette, Karl Hammond, Shilke, Yamaha<\/p>\n<h4><em>Mutes<\/em><\/h4>\n<p>Denis Wick, EZ Bucket, Harmon, Hirschman, Humes &amp; Berg, Jo-Ral, Mutec, ProTec Aluminum, Warburton, Zinger<\/p>\n<p>&nbsp;<\/p>\n<h1>Horn<\/h1>\n<h4>F Double Horns (ideally, start beginners on double horns)<\/h4>\n<p class=\"indent\">Conn 8D, 10D<\/p>\n<p class=\"indent\">Holton Farkas 179, 180, 181<\/p>\n<p class=\"indent\">Yamaha YHR 567, 667, 668<\/p>\n<h4>Mouthpieces<\/h4>\n<p class=\"indent\">Conn 5N, 5W, 7N, 7W<\/p>\n<p class=\"indent\"><strong>Holton Farkas MDC, DC<\/strong><\/p>\n<p class=\"indent\">Yamaha 30C4, 31D4<\/p>\n<h4>Mutes<\/h4>\n<p class=\"indent\">Denis Wick<\/p>\n<p class=\"indent\">Humes &amp; Berg<\/p>\n<p class=\"indent\">Tom Crown<\/p>\n<h1>Trombone<\/h1>\n<h4>Tenor Trombones<\/h4>\n<p class=\"indent no-indent\"><span style=\"text-decoration: underline\">Beginner<\/span><\/p>\n<p class=\"indent\">Bach 200<\/p>\n<p class=\"indent\">Bundy 1523<\/p>\n<p class=\"indent\">Conn<\/p>\n<p class=\"indent\">Yamaha YSL-354<br \/>\n<span style=\"text-decoration: underline\">Intermediate\/Advanced<\/span><\/p>\n<p class=\"indent\">Bach 42B, 36B<\/p>\n<p class=\"indent\">Conn 78H, 88H<\/p>\n<p class=\"indent\">Yamaha YSL-684, YSL-820 (Xeno)<\/p>\n<h4>Bass Trombones<\/h4>\n<p class=\"indent\">Bach 50B<\/p>\n<p class=\"indent\">Conn 110H<\/p>\n<p class=\"indent\">Yamaha YBL-613, YBL-622<\/p>\n<h4>Mouthpieces<\/h4>\n<p><span style=\"text-decoration: underline\">Beginner<\/span><\/p>\n<p class=\"indent\">Bach 12C<\/p>\n<p class=\"indent\">Schilke 47<\/p>\n<p><span style=\"text-decoration: underline\">Intermediate\/Advanced<\/span><\/p>\n<p class=\"indent\">Bach 6 1\/2AL, 5G<\/p>\n<p class=\"indent\">Schilke 50, 51<\/p>\n<p><span style=\"text-decoration: underline\">Bass Trombone<\/span><\/p>\n<p class=\"indent\">Bach 1G<\/p>\n<p class=\"indent\">Schilke 57<\/p>\n<h1>Euphonium<\/h1>\n<h4>4-Valve Euphoniums<\/h4>\n<p class=\"indent\">Willson 2704<\/p>\n<p class=\"indent\">Yamaha YEP-321, YEP-621<\/p>\n<h4>Compensating Euphoniums<\/h4>\n<p class=\"indent\">Besson 967, 968<\/p>\n<p class=\"indent\">Hirsbrunner<\/p>\n<p class=\"indent\">Willson 2901<\/p>\n<p class=\"indent\">Yamaha YEP-641<\/p>\n<h4>Mouthpieces<\/h4>\n<p class=\"indent\">Bach 6 1\/2 AL<\/p>\n<p class=\"indent\">Denis Wick 5AL, 6AL<\/p>\n<p class=\"indent\">Shilke 50, 51<\/p>\n<h1>Tuba<\/h1>\n<h4>BBb Tubas<\/h4>\n<p class=\"indent\">Besson 997<\/p>\n<p class=\"indent\">Conn 5J<\/p>\n<p class=\"indent\">Meinl-Weston 20 (rotary)<\/p>\n<p class=\"indent\">Miraphone 1864U (rotary)<\/p>\n<p class=\"indent\">Yamaha YBB-301<\/p>\n<h4>Mouthpieces<\/h4>\n<p class=\"indent\">Bach 18<\/p>\n<p class=\"indent\">Conn 18<\/p>\n<p class=\"indent\"><strong>Conn-Helleberg 1205<\/strong><\/p>\n<p class=\"indent\">Yamaha 18<\/p>\n<p>&nbsp;<\/p>\n<h1>Mutes<\/h1>\n<p class=\"indent\">Tom Crown<\/p>\n<p class=\"indent\">Vincent Bach<\/p>\n<p class=\"indent\">Denis Wick<\/p>\n<p class=\"indent\">Humes &amp; Berg<\/p>\n<p class=\"indent\">Harmon<\/p>\n<p class=\"indent\">Jo-Ral<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"author":11,"menu_order":3,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[48],"contributor":[],"license":[],"part":64,"_links":{"self":[{"href":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/wp-json\/pressbooks\/v2\/chapters\/327"}],"collection":[{"href":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/wp-json\/wp\/v2\/users\/11"}],"version-history":[{"count":6,"href":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/wp-json\/pressbooks\/v2\/chapters\/327\/revisions"}],"predecessor-version":[{"id":609,"href":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/wp-json\/pressbooks\/v2\/chapters\/327\/revisions\/609"}],"part":[{"href":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/wp-json\/pressbooks\/v2\/parts\/64"}],"metadata":[{"href":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/wp-json\/pressbooks\/v2\/chapters\/327\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/wp-json\/wp\/v2\/media?parent=327"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/wp-json\/pressbooks\/v2\/chapter-type?post=327"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/wp-json\/wp\/v2\/contributor?post=327"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.palni.org\/brasstechniquesandpedagogy\/wp-json\/wp\/v2\/license?post=327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}